The work,
by name.
Seventy – nine residences, hotels, spas and private wet rooms — finished by hand. A selection follows; the rest, by appointment.
№ 014 / Featured
2025 / Most recent
Every wall is a commission. No two are the same —— Vlad Markov · MarkOn Walls, Greenpoint
no two clients are. The portfolio reflects that.
Brooklyn.A townhouse, mid–build.
A four–storey Brooklyn townhouse, taken to bare mineral on every wall and ceiling. Warm microcement carried floor to soffit; a Marmorino Carrara feature wall in the parlour; the whole envelope read as one continuous, breathable skin.
Caught before the seal — the burnished parlour wall still reading in raw afternoon light. We show the work as it leaves the trowel, not only when it is styled.
Brooklyn.A claret ceiling.
A dark, jewel–toned Brooklyn interior. The ceiling carried in claret Venetian plaster — six coats, burnished to a wet, metallic sheen — with a second ceiling in liquid–graphite polished plaster, both set against book–matched Pietra Grey marble.
Saturated colour is the hardest plaster to hold even; this oxblood reads as one continuous, luminous skin. Photographed before the room was dressed.
Great Neck.Polished, by the room.
A grand Great Neck estate finished throughout in polished mineral plaster — burnished walls in warm stone tones, hand–cast decorative ceilings with carved medallions and coves, and seamless microcement at the floating stair.
Montauk.One seamless plane.
A vaulted Montauk living room anchored by a hand–troweled microcement chimney breast — a single seamless mineral plane from hearth to ridge, in a soft coastal grey that holds the East End light.
The Lobby.Lime, to full height.
A double–height residential lobby in hand–troweled lime and microcement — warm, breathable mineral walls rising to an alabaster pendant cluster, grounded by a geometric marble–mosaic floor.
Selected hand-finished plaster projects — Manhattan, Brooklyn, the Hamptons & worldwide
Hand-finished plaster by finish and location
MarkOn® Walls hand-finishes mineral plaster across Manhattan, Brooklyn, the Hamptons, and worldwide. Selected work includes Marmorino Carrara in Tribeca and the West Village; Venetian plaster powder rooms and foyers on Park Avenue and the Upper East Side; Tadelakt hearths and barn conversions in East Hampton, Bridgehampton, and Sagaponack; Lime Wash lobbies and residences in Brooklyn and Bridgehampton; and seamless microcement wet rooms, columns, and floors in Williamsburg, Greenpoint, SoHo, Montauk, and Cap Ferrat. International commissions extend to Mayfair in London and the Côte d'Azur. Every surface is hand-troweled, burnished, and sealed in slaked lime, marble dust, and mineral pigment.
№ 077
№ 078
№ 079
№ 074
№ 075
№ 014
№ 037
№ 041
№ 052
№ 028
№ 063
№ 071
№ 058
№ 049
№ 055
№ 044